My rating: 3 of 5 stars
Daniel a. Rabuzzi concludes (or does he?) the story of Yount in The Indigo Pheasant.
Overall this is a well-crafted, highly intelligent tale, drawing upon Biblical and literary sources (so many literary sources!) Yet throughout there is a distance between story and reader, perhaps because Rabuzzi chooses to narrate his story more from an impersonal third person, rather than a tightly focused, character-driven third person, which renders the tale more as a story to be read aloud to someone, than an intimate dialogue between writer and reader.
Rabuzzi also chooses to relate part of his narrative through a series of letters, broadsheet clippings and the like, which, although clever, because of the number and length of these sometimes expository passages, tend to arrest the tension of the plot arc, which is already stretched and somewhat thin.
Categorizing the novel as YA, is perhaps a bit of a stretch, given the elevated and sometimes archaic (although beautifully true to period) vocabulary, and there was, at least for this reader, some considerable confusion regarding the lengthy descriptions of the science of fulgination.
In the end, having fulfilled the mission of returning Yount to its rightful place, it would seem Maggie and the Cretched Man make for New York, just before the great stock market crash of 1929. Given the ambiguity of the ending, I suspect Rabuzzi plans to explore what choral escapades and escapes this talented and magic duo may undertake.by